Mozart’s most popular opera is a deeply humane story of adventure with heavenly music.
Opera in two acts
Libretto by Emanuel Schikaneder
Performed in German with German and English surtitles
Premiere
1. November 2020
Dates & Cast
- Conductor Giulio Cilona (06., 13., 22. September, 04. October, 15., 17. November 2024), Katharina Müllner (28. November 2024, 05., 12., 19., 31. January 2025), Gaetano d’Espinosa (31. May, 02., 06. June 2025)
- Staging Josef E. Köpplinger
- Set Design Walter Vogelweider
- Costume Design Dagmar Morell
- Choreography Ricarda Regina Ludigkeit (06., 13., 22. September, 04. October, 15., 17., 28. November 2024, 05., 12., 19., 31. January, 31. May, 02., 06. June 2025), Walter Vogelweider (31. May 2025)
- Lighting Design Fabio Antoci
- Choir Jan Hoffmann
- Dramaturgy Johann Casimir Eule
- Sarastro Georg Zeppenfeld (06., 13., 22. September 2024, 31. May 2025), Tilmann Rönnebeck (04. October, 17. November 2024, 05., 12., 19. January, 31. May, 02. June 2025), Tobias Kehrer (15., 17., 28. November 2024), Dimitry Ivashchenko (05., 19., 31. January, 06. June 2025)
- Königin der Nacht Julia Sitkovetsky (06., 13., 22. September, 28. November 2024), Aigul Khismatullina (04. October, 17. November 2024, 19. January, 31. May, 02. June 2025), Jasmin Delfs (15., 17. November 2024, 12., 19. January, 06. June 2025), Maria Perlt-Gärtner (05., 31. January, 31. May 2025)
- Pamina Victoria Randem (06., 13., 22. September, 15., 17., 28. November 2024, 19., 31. January, 31. May, 02., 06. June 2025), Heidi Stober (04. October 2024, 31. May 2025), Nikola Hillebrand (05., 12., 19. January 2025)
- Tamino James Ley (06., 13. September, 15., 17., 28. November 2024, 05., 12., 19., 31. January 2025), David Fischer (22. September 2024, 19. January 2025), Tomislav Mužek (04. October, 17. November 2024), Magnus Dietrich (05. January, 31. May 2025), Mario Lerchenberger (31. May, 02., 06. June 2025)
- Papageno Michael Nagl (06., 13. September, 04. October, 28. November 2024, 05., 19. January 2025), Sebastian Wartig (22. September, 15., 17. November 2024), Danylo Matviienko (17. November 2024, 05., 12., 19., 31. January, 31. May 2025), Joshua Hopkins (31. May, 02., 06. June 2025)
- Erste Dame Ann-Kathrin Niemczyk (06. September, 04. October 2024), Roxana Incontrera (13. September, 15., 17. November 2024, 05., 19. January, 31. May, 02., 06. June 2025), Ute Selbig (22. September, 17., 28. November 2024, 05., 12., 19., 31. January, 31. May 2025)
- Zweite Dame Dominika Škrabalová (06., 13. September, 04. October, 15., 17. November 2024), Sabine Brohm (22. September, 17., 28. November 2024, 05., 19. January, 31. May 2025), Štěpánka Pučálková (05., 19., 31. January 2025), Valerie Eickhoff (31. May, 02., 06. June 2025)
- Dritte Dame Michal Doron (06., 13., 22. September, 04. October 2024, 19. January, 31. May 2025), Christa Mayer (15., 17., 28. November 2024, 05., 12., 19., 31. January 2025), Nicole Chirka (31. May, 02., 06. June 2025)
- Monostatos Timothy Oliver (06., 13. September, 04. October, 15., 17., 28. November 2024, 19. January, 31. May, 06. June 2025), Simeon Esper (22. September 2024, 05. January, 31. May, 02. June 2025), Aaron Pegram (17. November 2024, 05., 12., 19., 31. January 2025)
- Sprecher Markus Marquardt (06., 13., 22. September, 15., 17., 28. November 2024, 19., 31. January 2025), Martin-Jan Nijhof (04. October, 17. November 2024, 05. January 2025), Alexandros Stavrakakis (12., 19. January 2025), N.N. (31. May, 02., 06. June 2025)
- Papagena Sofia Savenko (06., 13., 22. September, 04. October, 17. November 2024, 05., 12., 19. January 2025), Magdalena Lucjan (15., 17., 28. November 2024, 31. May 2025), Christiane Hossfeld (05., 31. January, 31. May, 02., 06. June 2025)
- Erster Priester Anton Beliaev (06., 13., 22. September, 28. November 2024, 12., 19., 31. January, 31. May, 02., 06. June 2025), Gerrit Illenberger (04. October, 15., 17. November 2024, 05. January 2025)
- Zweiter Priester Aaron Pegram (06., 13., 22. September 2024, 31. May, 02., 06. June 2025), Jongwoo Hong (04. October, 15., 17., 28. November 2024, 05., 12., 19., 31. January 2025)
- Erster Geharnischter Jürgen Müller (06., 13., 22. September, 04. October, 15., 17., 28. November 2024, 05., 19., 31. January, 31. May 2025), Gerald Hupach (17. November 2024, 12., 19. January, 31. May, 02., 06. June 2025)
- Zweiter Geharnischter Matthias Henneberg (06., 13., 22. September, 04. October, 15., 17., 28. November 2024), Oleksandr Pushniak (05., 12., 19., 31. January, 31. May, 02., 06. June 2025)
- Drei Knaben Dresdner Kreuzchor (06., 13., 22. September, 04. October, 28. November 2024, 31. January 2025), Aurelius Sängerknaben Calw (15., 17. November 2024, 12. January, 02., 06. June 2025), Tölzer Knabenchor (05., 19. January, 31. May 2025)
- Conductor Giulio Cilona
- Staging Josef E. Köpplinger
- Set Design Walter Vogelweider
- Costume Design Dagmar Morell
- Choreography Ricarda Regina Ludigkeit
- Lighting Design Fabio Antoci
- Choir Jan Hoffmann, Jonathan Becker
- Dramaturgy Johann Casimir Eule
Generously supported by the Stiftung Semperoper – Förderstiftung
- Sarastro Tobias Kehrer
- Königin der Nacht Jasmin Delfs
- Pamina Victoria Randem
- Tamino James Ley
- Papageno Sebastian Wartig
- Erste Dame Roxana Incontrera
- Zweite Dame Dominika Škrabalová
- Dritte Dame Christa Mayer
- Monostatos Timothy Oliver
- Sprecher Markus Marquardt
- Papagena Magdalena Lucjan
- Erster Priester Gerrit Illenberger
- Zweiter Priester Jongwoo Hong
- Erster Geharnischter Jürgen Müller
- Zweiter Geharnischter Matthias Henneberg
- Drei Knaben Aurelius Sängerknaben Calw
- Conductor Giulio Cilona
- Staging Josef E. Köpplinger
- Set Design Walter Vogelweider
- Costume Design Dagmar Morell
- Choreography Ricarda Regina Ludigkeit
- Lighting Design Fabio Antoci
- Choir Jan Hoffmann, Jonathan Becker
- Dramaturgy Johann Casimir Eule
Generously supported by the Stiftung Semperoper – Förderstiftung
- Sarastro Tobias Kehrer
- Königin der Nacht Jasmin Delfs
- Pamina Victoria Randem
- Tamino James Ley
- Papageno Danylo Matviienko
- Erste Dame Roxana Incontrera
- Zweite Dame Dominika Škrabalová
- Dritte Dame Christa Mayer
- Monostatos Timothy Oliver
- Sprecher Martin-Jan Nijhof
- Papagena Sofia Savenko
- Erster Priester Gerrit Illenberger
- Zweiter Priester Jongwoo Hong
- Erster Geharnischter Jürgen Müller
- Zweiter Geharnischter Matthias Henneberg
- Drei Knaben Aurelius Sängerknaben Calw
- Conductor Giulio Cilona
- Staging Josef E. Köpplinger
- Set Design Walter Vogelweider
- Costume Design Dagmar Morell
- Choreography Ricarda Regina Ludigkeit
- Lighting Design Fabio Antoci
- Choir Jan Hoffmann, Jonathan Becker
- Dramaturgy Johann Casimir Eule
Generously supported by the Stiftung Semperoper – Förderstiftung
- Sarastro Tilmann Rönnebeck
- Königin der Nacht Aigul Khismatullina
- Tamino Tomislav Mužek
- Papageno Sebastian Wartig
- Erste Dame Ute Selbig
- Zweite Dame Sabine Brohm
- Dritte Dame Christa Mayer
- Monostatos Aaron Pegram
- Sprecher Markus Marquardt
- Papagena Magdalena Lucjan
- Erster Priester Gerrit Illenberger
- Zweiter Priester Jongwoo Hong
- Erster Geharnischter Gerald Hupach
- Zweiter Geharnischter Matthias Henneberg
- Drei Knaben Aurelius Sängerknaben Calw
- Conductor Katharina Müllner
- Staging Josef E. Köpplinger
- Set Design Walter Vogelweider
- Costume Design Dagmar Morell
- Choreography Ricarda Regina Ludigkeit
- Lighting Design Fabio Antoci
- Choir Jan Hoffmann, Jonathan Becker
- Dramaturgy Johann Casimir Eule
Generously supported by the Stiftung Semperoper – Förderstiftung
- Sarastro Tobias Kehrer
- Königin der Nacht Julia Sitkovetsky
- Pamina Victoria Randem
- Tamino James Ley
- Papageno Michael Nagl
- Erste Dame Ute Selbig
- Zweite Dame Sabine Brohm
- Dritte Dame Christa Mayer
- Monostatos Timothy Oliver
- Sprecher Markus Marquardt
- Papagena Magdalena Lucjan
- Erster Priester Anton Beliaev
- Zweiter Priester Jongwoo Hong
- Erster Geharnischter Jürgen Müller
- Zweiter Geharnischter Matthias Henneberg
- Drei Knaben Dresdner Kreuzchor
- Conductor Katharina Müllner
- Staging Josef E. Köpplinger
- Set Design Walter Vogelweider
- Costume Design Dagmar Morell
- Choreography Ricarda Regina Ludigkeit
- Lighting Design Fabio Antoci
- Choir Jan Hoffmann, Jonathan Becker
- Dramaturgy Johann Casimir Eule
Generously supported by the Stiftung Semperoper – Förderstiftung
- Sarastro Dimitry Ivashchenko
- Königin der Nacht Maria Perlt-Gärtner
- Pamina Nikola Hillebrand
- Tamino James Ley
- Papageno Danylo Matviienko
- Erste Dame Ute Selbig
- Zweite Dame Sabine Brohm
- Dritte Dame Christa Mayer
- Monostatos Aaron Pegram
- Sprecher Martin-Jan Nijhof
- Papagena Sofia Savenko
- Erster Priester Gerrit Illenberger
- Zweiter Priester Jongwoo Hong
- Erster Geharnischter Jürgen Müller
- Zweiter Geharnischter Oleksandr Pushniak
- Drei Knaben Tölzer Knabenchor
- Conductor Katharina Müllner
- Staging Josef E. Köpplinger
- Set Design Walter Vogelweider
- Costume Design Dagmar Morell
- Choreography Ricarda Regina Ludigkeit
- Lighting Design Fabio Antoci
- Choir Jan Hoffmann, Jonathan Becker
- Dramaturgy Johann Casimir Eule
Generously supported by the Stiftung Semperoper – Förderstiftung
- Sarastro Tilmann Rönnebeck
- Königin der Nacht Maria Perlt-Gärtner
- Tamino Magnus Dietrich
- Papageno Michael Nagl
- Erste Dame Roxana Incontrera
- Zweite Dame Štěpánka Pučálková
- Dritte Dame Christa Mayer
- Monostatos Simeon Esper
- Sprecher Martin-Jan Nijhof
- Papagena Christiane Hossfeld
- Erster Priester Gerrit Illenberger
- Zweiter Priester Jongwoo Hong
- Erster Geharnischter Jürgen Müller
- Zweiter Geharnischter Oleksandr Pushniak
- Drei Knaben Tölzer Knabenchor
In brief
In answer to Tamino’s question about who he is, Papageno says »A man like you«. Tamino’s reply to the counter-question is that he comes from »princely blood«. Thus it is clear from the word go that while the bird-catcher Papageno has true humanity, this is something still lacking in Tamino. While this goal is truly noble, the pathway to achieving it is humorous, playful and, one could say, humane. As described by the libretto, the protagonists undergo various trials, encounter hell’s vengeance and the sweetest love, meet dancing animals and child-spirits, until Tamino and Pagageno finally reach their happy goal. On the one hand, Wolfgang Amadeus Mozart’s last opera »The Magic Flute«, which premiered in Vienna in 1791, follows the venerable tradition of Viennese magical theatre.
On the other hand, Mozart and his librettist Emanuel Schikaneder were also inspired by the Enlightenment ideas of the Freemasons to create a blend of crazy buffoonery and Masonic symbolism, striking misogyny and the deepest humanity, all infused with heavenly music. These elements make »The Magic Flute« the successful opera that has been enjoyed by each generation and is still beloved today.
Storyline
Act one
Prince Tamino is being pursued by a wild serpent. At the last minute, he is saved by three mysterious ladies who have been sent by the queen of the night. When the bird catcher Papageno appears and boasts about the heroic deed they punish him. In contrast, they give the prince a portrait of Pamina, the daughter of the queen who is being held captive by the ruler of the temple of the sun, Sarastro. Tamino falls in love with her. The queen appears in person and orders him to rescue Pamina together with Papageno. A magic flute will protect him from any danger whilst a reluctant Papageno is given magic bells. Guided by three young boys, they set off on their way to Sarastro’s temple. Whilst the temple guards tell Tamino that Sarastro is not the evil tyrant that the queen has depicted, Papageno finds Pamino and tries to flee with her. With the help of the chimes, he is able to distract her guard Monostatos although his efforts are scuppered by the appearance of Sarastro. Papageno, Pamina and Tamino have to stay in Sarastro’s kingdom as Sarastro has something greater planned for Tamino: just as he has taken Pamina into his kingdom to protect her from her mother, he plans to get Tamino into his circle of insiders of the sun temple and, in this way, prepare him for future tasks.
Act two
Tamino and Papageno are challenged to undergo various trials to prove that they are fit to be accepted into the circle of insiders. Firstly, they have to learn to remain silent which is difficult, particularly for Papageno. When an elderly woman appears, he is unable to keep this up and asks her what her name is. She then disappears with a clap of thunder. Papageno comforts himself with food and drink which is miraculously served to them both. Only Tamino remains silent and plays his flute for solace. Pamina appears but cannot understand why Tamino is no longer speaking to her. Her mother – the queen of the night – had previously tried in vain to persuade her to murder Sarastro. When, in her despair, she tries to take her life, the three young boys snatch the dagger away from her and lead her back to Tamino. Together they face the final test, the fire and water challenge. Protected by the magic sounds of the flute, they pass the test. Meanwhile, Papageno, in his loneliness, wishes that the elderly lady reappears and promises her that he will take her as his wife “as long as he doesn’t find anyone better”. She then transforms into a beautiful young girl but is taken away from him as the time has not yet come. Out of despair, Papageno wants to take his life but the three young boys remind him of the bells. The sound makes Papagena appear and both dream of a future with many children. The other couple is also happy: Tamino and Pamina, as future rulers, are accepted into the group of insiders and glorify the ideals of nature, wisdom and reason. Only the queen of the night comes to a bad ending: when she tries to enter the temple with her entourage, she is engulfed by the powers of darkness.