Opera

Parsifal

Richard Wagner

According to a prophecy, only a ‘pure fool’ will be able to renew the Grail community. Could this saviour be Parsifal...?

Dedication festival play in three parts
Libretto by the composer

Performed in German with German and English surtitles

Premiere
22. March 2026

Dates & Cast

22
Sun
March 2026
4 pm
Premiere
26 – 145 €
99+ Tickets
4 pm – 9.10 pm
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up
Sub / Packages

Generously supported by the Stiftung Semperoper – Förderstiftung

25
Wed
March 2026
5 pm
16 – 99 €
99+ Tickets
5 pm – 10.10 pm
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up
Post-Show Discussion
Post-Show Discussion following the performance (free admission).
Sub / Packages

Generously supported by the Stiftung Semperoper – Förderstiftung

31
Tue
March 2026
5 pm
16 – 120 €
99+ Tickets
5 pm – 10.10 pm
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up
Sub / Packages

Generously supported by the Stiftung Semperoper – Förderstiftung

03
Fri
April 2026
4 pm
26 – 145 €
99+ Tickets
4 pm – 9.10 pm
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up
Sub / Packages

Generously supported by the Stiftung Semperoper – Förderstiftung

06
Mon
April 2026
4 pm
26 – 175 €
99+ Tickets
4 pm – 9.10 pm
Venue
Semperoper Dresden
Free introductory talk
held in the Semper Opera House cellar 45 minutes before curtain-up
Sub / Packages

Generously supported by the Stiftung Semperoper – Förderstiftung

And more

In brief

Did Richard Wagner already know when, in The Flying Dutchman, he first explored the notion of redemption, that this would end up being the central concern of his art? In his final opera, Parsifal, which was first performed in Bayreuth in 1882, it is not just a single person but society as a whole that awaits a saviour – buoyed by the hope of one day meeting the One who will fulfil this role. Parsifal’s qualification for this tremendous task is that he has become “knowing through compassion” – a process that takes many years, perhaps an entire lifetime. But there are forces trying to hinder him on his path. Will Parsifal be willing to place himself at the service of the community? Parsifal, which has been called a “stage consecration festival”, is still an overwhelming experience today. Can art truly help us find redemption?

Read More

Having previously worked in Amsterdam and Zurich, this is Floris Visser’s first production for the Semperoper. For the Staatskapelle Dresden’s Principal Conductor, Daniele Gatti, who has conducted Wagner’s swansong at New York’s Metropolitan Opera and at the Bayreuth Festival, this will be the first Parsifal at Dresden’s opera house, the place where Richard Wagner spent many productive years.

Storyline

Act I

In a forest clearing near the Castle of the Grail, the knight Gurnemanz and a few squires prepare a bath in a lake for Amfortas, the ailing King of the Grail. When a mysterious woman named Kundry brings balm for the King’s wounds, Gurnemanz tells the squires the story behind them: many years ago, Amfortas’s father Titurel was ordained by a supernatural power to safeguard two relics – the Holy Grail and the Holy Spear. For the purpose of protecting them, he built the Castle of the Grail. Among the Grail Knights who gathered there was Klingsor, who was unable to keep the vow of chastity. After castrating himself in a desperate attempt to fulfill the vow, he was cast out by the other knights. He then established his magical kingdom near the Castle of the Grail, which is inhabited by seductive flowermaidens in order to tempt the Grail Knights. In the hope of vanquishing Klingsor, Amfortas set out, armed with the Holy Spear, for Klingsor's castle, but was defeated. He was wounded and the Spear has been in Klingsor's power ever since, because of which Amfortas’s wound cannot heal.

The morning preparations are interrupted when a dead swan is found. A stranger has strayed into the Castle grounds and, in contravention of the prohibition, has shot it. When asked about his origin and his name, he is unable to answer. But Kundry seems to know: the young man has left his mother Herzeleide behind, who subsequently died of grief, and he answers to the name of Parsifal. Gurnemanz remembers that Amfortas was given a prophecy: If a “pure fool enlightened by compassion” were to come and regain possession of the Spear, the wound would be healed. Is it Parsifal who was meant?

Gurnemanz leads Parsifal into the castle, where he witnesses the gathering of the Grail Knights as they wait for the King to unveil the Grail in order to renew their strength. Amfortas is going to refuse, since unveiling the Grail causes him terrible pain. But the knights and his father Titurel, who is enfeebled by age and needs the Grail in order to live, force him to do so. Parsifal observes the ceremony performed by the community, but is completely perplexed. Gurnemanz believes he has been mistaken and drives him away.

Plot

Act II

In his magic realm, Klingsor summons Kundry. Wandering throughout the world, she has assumed many identities over time and, although she helps the Grail Knights, is also a servant of Klingsor. Now her task is to help him against Parsifal, who is approaching his castle. After Klingsor’s knights are killed by Parsifal, the flowermaidens try to entice and seduce him. They are unsuccessful, but then Kundry suddenly appears in their midst. She is able to captivate Parsifal by telling him the story of his parents’ love. When she kisses him, Parsifal suddenly realizes that it was Kundry who had previously seduced Amfortas, causing him to lose the Spear. Kundry then reveals her story: she has lived for many centuries. After laughing at Jesus on the cross, she was cursed to wander. Since then she has been searching for redemption, which she hopes to attain through love for Parsifal. But he promises her redemption only on the condition that she lead him to Amfortas. Kundry then curses him to never find his way back to Amfortas. Klingsor appears and throws the Spear at Parsifal in order to wound him, as he had once done to the King of the Grail. But the Spear remains in place, hovering over Parsifal’s head. Parsifal seizes the Spear and makes the sign of the cross against the magic realm. Klingsor’s power is broken. Parsifal sets out into the world.

Act III

Many years have passed. The community of the Grail is on the verge of dissolution, and Gurnemanz is living as a hermit in the forest outside the Castle of the Grail. On the morning of Good Friday, Kundry appears in front of his hut. Only one word remains in her life: “Serve.” Then she falls silent. The two are approached by a knight dressed in black. When Gurnemanz demands that he remove his armor on the premises of the Holy Grail, he does so, revealing that he is Parsifal. He is carrying the Holy Spear. Kundry washes his feet, and Gurnemanz, who now recognizes in him the “pure fool enlightened by compassion”, anoints his head. Nature begins to bloom once again as spring arrives. Gurnemanz explains to him that Titurel has since died, as Amfortas has persistently refused to unveil the Grail. Today is the day of Titurel’s burial, and on this occasion the Grail is to be revealed once more to the community. Parsifal, Gurnemanz, and Kundry make their way to the castle.

Titurel is ceremoniously laid out in the hall. When Amfortas once again refuses to unveil the Grail, the community is on the verge of crisis – at this moment Parsifal enters the hall. The Holy Spear, which has now been returned to the community of the Grail, heals Amfortas’s wound. Parsifal unveils the Grail as its new King. A dove descends from the sky and lingers over Parsifal’s head. Kundry is released from her curse.