Opera

Eugen Onegin

Pjotr I. Tschaikowsky

Tired of the big city and its abundance of parties and women, the dandy Eugene Onegin travels to the countryside, where he meets Tatjana, the daughter of an estate owner. Dreaming of romantic love as described in books, she thinks she has found it in Onegin.

However, he is unwilling to be tied down. After brusquely rejecting her, it is only years later that Onegin comes to understand his awful mistake and his lack of courage. Yet the realization comes too late: Tatjana has already become the wife of Prince Gremin. Tchaikovsky based his touching and intimate masterpiece from 1878 on the novel in verse by Alexander Pushkin. The opera not only illuminates the torn inner lives of the protagonists, but also the pitfalls of modern relationships. Markus Bothe breaks up the story's chronology using flashbacks of the various characters to create an allusive series of images in which memory, mood and the drama of the present flow seamlessly into one another.


Lyrical scenes in three acts (seven scenes)
Libretto by Pyotr I. Tchaikovsky and Konstantin S. Schilowsky after the novel by Alexander Puschkin

Performed in Russian with German and English supertitles

Premiere
30. June 2016,

No further performances in the current season.

Premiere cast

Sächsischer Staatsopernchor Dresden
Sächsische Staatskapelle Dresden

Generously supported by the Semperoper Foundation

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Stücktrailer

Eugen Onegin

Tired of the big city and its abundance of parties and women, the dandy Eugene Onegin travels to the countryside, where he meets Tatjana, the daughter of an estate owner. Dreaming of romantic love as described in books, she thinks she has found it in Onegin. However, he is unwilling to be tied down. After brusquely rejecting her, it is only years later that Onegin comes to understand his awful mistake and his lack of courage. Yet the realization comes too late: Tatjana has already become the wife of Prince Gremin. Tchaikovsky based his touching and intimate masterpiece from 1878 on the novel in verse by Alexander Pushkin. The opera not only illuminates the torn inner lives of the protagonists, but also the pitfalls of modern relationships. Markus Bothe breaks up the story's chronology using flashbacks of the various characters to create an allusive series of images in which memory, mood and the drama of the present flow seamlessly into one another.