Operetta

Die Fledermaus

Johann Strauss

Johann Strauss’s »Die Fledermaus« from 1874 is a masterpiece of Viennese operetta: In order to take revenge on his friend Eisenstein, Dr. Falke (alias Die Fledermaus) stages a game of mistaken identities at Prince Orlofsky’s ball, where the guests include a Marquis and a Chevalier, a Hungarian countess and budding artists.

However, nobody is who they claim to be. The masquerade and trickery end with the entire group of partygoers in prison. When the masks finally fall and extramarital shenanigans come to light, Falke’s revenge is complete. This production by Günter Krämer has been delighting Semperoper audiences since 2003 with classic numbers such as the Watch Duet, the Czárdás or Adele’s »Mein Herr Marquis« as well as the witty dialogue, updated with some amusing contemporary references. With diamond-sharp irony amidst the champagne glasses, »Die Fledermaus« is a great evening’s entertainment… and not just at the New Year!

Please note that there are seats with restricted sight in the first rows of the parquet as well as in the third and fourth balcony.


Lyrical comedy in three acts
Libretto by Carl Haffner and Richard Genée after the vaudeville Le Réveillon by Henri Meilhac and Ludovic Halévy

Performed in German with German and English surtitles (Spoken dialogue is not translated word for word.)

Premiere
18. December 2003,

No further performances in the current season.

Sächsischer Staatsopernchor Dresden
Sächsische Staatskapelle Dresden

Generously supported by the Semperoper Foundation

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Die Fledermaus

Johann Strauß’s Die Fledermaus from 1874 is a masterpiece of Viennese operetta: In order to take revenge on his friend Eisenstein, Dr. Falke (alias Die Fledermaus) stages a game of mistaken identities at Prince Orlofsky’s ball, where the guests include a Marquis and a Chevalier, a Hungarian countess and budding artists. However, nobody is who they claim to be. The masquerade and trickery end with the entire group of partygoers in prison. When the masks finally fall and extramarital shenanigans come to light, Falke’s revenge is complete. This production by Günter Krämer has been delighting Semperoper audiences since 2003 with classic numbers such as the Watch Duet, the Czárdás or Adele’s Mein Herr Marquis as well as the witty dialogue, updated with some amusing contemporary references. With diamond-sharp irony amidst the champagne glasses, Die Fledermaus is a great evening’s entertainment… and not just at the New Year!