The dancers of the Semperoper Ballett try to keep their balance while teetering on the edge.
Ballet by Kinsun Chan & Martin Zimmermann
Premiere
17. October 2024
Dates & Cast
- Choreography Kinsun Chan, Martin Zimmermann
- Concept & Set Design Martin Zimmermann
- Costume Design Kinsun Chan, Anja Jungheinrich, Martin Zimmermann
- Music Hans-Peter Pfammatter, Daniel Steffen
- Lighting Design Christian Kass
- Choreography Kinsun Chan, Martin Zimmermann
- Concept & Set Design Martin Zimmermann
- Costume Design Kinsun Chan, Anja Jungheinrich, Martin Zimmermann
- Music Hans-Peter Pfammatter, Daniel Steffen
- Lighting Design Christian Kass
- Choreography Kinsun Chan, Martin Zimmermann
- Concept & Set Design Martin Zimmermann
- Costume Design Kinsun Chan, Anja Jungheinrich, Martin Zimmermann
- Music Hans-Peter Pfammatter, Daniel Steffen
- Lighting Design Christian Kass
- Choreography Kinsun Chan, Martin Zimmermann
- Concept & Set Design Martin Zimmermann
- Costume Design Kinsun Chan, Anja Jungheinrich, Martin Zimmermann
- Music Hans-Peter Pfammatter, Daniel Steffen
- Lighting Design Christian Kass
- Choreography Kinsun Chan, Martin Zimmermann
- Concept & Set Design Martin Zimmermann
- Costume Design Kinsun Chan, Anja Jungheinrich, Martin Zimmermann
- Music Hans-Peter Pfammatter, Daniel Steffen
- Lighting Design Christian Kass
- Choreography Kinsun Chan, Martin Zimmermann
- Concept & Set Design Martin Zimmermann
- Costume Design Kinsun Chan, Anja Jungheinrich, Martin Zimmermann
- Music Hans-Peter Pfammatter, Daniel Steffen
- Lighting Design Christian Kass
- Choreography Kinsun Chan, Martin Zimmermann
- Concept & Set Design Martin Zimmermann
- Costume Design Kinsun Chan, Anja Jungheinrich, Martin Zimmermann
- Music Hans-Peter Pfammatter, Daniel Steffen
- Lighting Design Christian Kass
In brief
Is the world a disc? What if it tilts? Is life just a balancing act? What happens to our society when we lose our equilibrium? Extreme situations affect the whole world, are a challenge to humanity and lead to the most diverse reactions. Kinsun Chan and Martin Zimmermann explore such situations in abstract form, examining how individuals deal with these while depicting how change, both external and internal, leads to constant struggle. The dancers perform on an unstable stage floor that can tilt with every movement. This is the precarious platform on which the performers are exposed, risking life and limb in the process. Tirelessly, they try to make connections with others, and in so doing face the challenge of losing their balance and even the ground beneath their feet. The situations shift from controlled, abstract moments to uncontrolled, surreal chaos and, finally, to redemptive liberation.