Opera

Powder Her Face

Thomas Adès

Since its 1995 premiere in England, the chamber opera »Powder Her Face« has become one of the most performed British operas worldwide. Thomas Adès (*1971) clearly touched a nerve with this early compositional work: the sensual, scandalous life of Margaret Campbell, Duchess of Argyll (1912–1993), is depicted retrospectively through eight pictures, which ingeniously shift between imagination and memory.

Scored for 15 instrumentalists and four soloists, some of whom dexterously perform multiple roles, this work pays homage to the popular musical styles of the time, from swing to tango, as well as to the music of Kurt Weill, Alban Berg and Igor Stravinsky.

Note on sensitive content: Opera and libretto contain sexualized violence as well as racist and anti-Semitic statements.


Opera in two acts
Libretto by Philip Hensher

Premiere
20. October 2023,

No further performances in the current season.

Premiere cast

Projektorchester

Dresden premiere

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Making-of

Powder Her Face – Making-of

Margaret Campbell was known as the Dirty Duchess because of her dissolute upper-class lifestyle and her sexual escapades. The story of her life is the basis for Thomas Adés‘ successful opera Powder Her Face. For those who didn't get the chance to experience the chamber opera live in Semper Zwei, director Georg Schmiedleitner and lead Mary Plazas provide further insights with our making-of.
Stücktrailer

Powder Her Face

Since its 1995 premiere in England, the chamber opera Powder Her Face has become one of the most performed British operas worldwide. Thomas Adès (*1971) clearly touched a nerve with this early compositional work: the sensual, scandalous life of Margaret Campbell, Duchess of Argyll (1912–1993), is depicted retrospectively through eight pictures, which ingeniously shift between imagination and memory. Scored for 15 instrumentalists and four soloists, some of whom dexterously perform multiple roles, this work pays homage to the popular musical styles of the time, from swing to tango, as well as to the music of Kurt Weill, Alban Berg and Igor Stravinsky.