Perhaps the next great revolution will begin with just one small step.
Ein Pasticcio mit Musik von Hanns Eisler, Robert Schumann, Sergej Rachmaninow, Daniel-François-Esprit Auber, Ludwig van Beethoven, Kurt Weill, Dmitri Schostakowitsch, Richard Wagner und Othmar Schoeck
In deutscher, englischer, französischer und russischer Sprache
Premiere
19. December 2024
Dates & Cast
- Conductor Pedro Beriso
- Staging Mart van Berckel
- Set Design & Lighting Design Vera Selhorst
- Costume Design Rosa Schützendorf
- Soundscapes Wouter Snoei
- Sounddesign Timo Merkies
- Dramaturgy Martin Lühr, Jasmijn van Wijnen
- A Mother Magdalena Lucjan
- A Grieving Woman Fernanda Allande
- A Revolutionary Anton Beliaev
- An Old Man Vladyslav Buyalskiy
- Amara Amara van der Elst
- Conductor Pedro Beriso
- Staging Mart van Berckel
- Set Design & Lighting Design Vera Selhorst
- Costume Design Rosa Schützendorf
- Soundscapes Wouter Snoei
- Sounddesign Timo Merkies
- Dramaturgy Martin Lühr, Jasmijn van Wijnen
Eine Produktion von Dutch National Opera (Amsterdam), Dutch National Touring Opera (Enschede) und Opera Zuid (Maastricht) in Zusammenarbeit mit Dutch National Opera Studio (Amsterdam)
- A Mother Magdalena Lucjan
- A Grieving Woman Fernanda Allande
- A Revolutionary Anton Beliaev
- An Old Man Vladyslav Buyalskiy
- Amara Amara van der Elst
- Conductor Pedro Beriso
- Staging Mart van Berckel
- Set Design & Lighting Design Vera Selhorst
- Costume Design Rosa Schützendorf
- Soundscapes Wouter Snoei
- Sounddesign Timo Merkies
- Dramaturgy Martin Lühr, Jasmijn van Wijnen
Eine Produktion von Dutch National Opera (Amsterdam), Dutch National Touring Opera (Enschede) und Opera Zuid (Maastricht) in Zusammenarbeit mit Dutch National Opera Studio (Amsterdam)
- A Mother Magdalena Lucjan
- A Grieving Woman Fernanda Allande
- A Revolutionary Anton Beliaev
- An Old Man Vladyslav Buyalskiy
- Amara Amara van der Elst
- Conductor Pedro Beriso
- Staging Mart van Berckel
- Set Design & Lighting Design Vera Selhorst
- Costume Design Rosa Schützendorf
- Soundscapes Wouter Snoei
- Sounddesign Timo Merkies
- Dramaturgy Martin Lühr, Jasmijn van Wijnen
Eine Produktion von Dutch National Opera (Amsterdam), Dutch National Touring Opera (Enschede) und Opera Zuid (Maastricht) in Zusammenarbeit mit Dutch National Opera Studio (Amsterdam)
- A Mother Magdalena Lucjan
- A Grieving Woman Fernanda Allande
- A Revolutionary Anton Beliaev
- An Old Man Vladyslav Buyalskiy
- Amara Amara van der Elst
- Conductor Pedro Beriso
- Staging Mart van Berckel
- Set Design & Lighting Design Vera Selhorst
- Costume Design Rosa Schützendorf
- Soundscapes Wouter Snoei
- Sounddesign Timo Merkies
- Dramaturgy Martin Lühr, Jasmijn van Wijnen
Eine Produktion von Dutch National Opera (Amsterdam), Dutch National Touring Opera (Enschede) und Opera Zuid (Maastricht) in Zusammenarbeit mit Dutch National Opera Studio (Amsterdam)
- A Mother Magdalena Lucjan
- A Grieving Woman Fernanda Allande
- A Revolutionary Anton Beliaev
- An Old Man Vladyslav Buyalskiy
- Amara Amara van der Elst
- Conductor Pedro Beriso
- Staging Mart van Berckel
- Set Design & Lighting Design Vera Selhorst
- Costume Design Rosa Schützendorf
- Soundscapes Wouter Snoei
- Sounddesign Timo Merkies
- Dramaturgy Martin Lühr, Jasmijn van Wijnen
Eine Produktion von Dutch National Opera (Amsterdam), Dutch National Touring Opera (Enschede) und Opera Zuid (Maastricht) in Zusammenarbeit mit Dutch National Opera Studio (Amsterdam)
- A Mother Magdalena Lucjan
- A Grieving Woman Fernanda Allande
- A Revolutionary Anton Beliaev
- An Old Man Vladyslav Buyalskiy
- Amara Amara van der Elst
- Conductor Pedro Beriso
- Staging Mart van Berckel
- Set Design & Lighting Design Vera Selhorst
- Costume Design Rosa Schützendorf
- Soundscapes Wouter Snoei
- Sounddesign Timo Merkies
- Dramaturgy Martin Lühr, Jasmijn van Wijnen
Eine Produktion von Dutch National Opera (Amsterdam), Dutch National Touring Opera (Enschede) und Opera Zuid (Maastricht) in Zusammenarbeit mit Dutch National Opera Studio (Amsterdam)
- A Mother Magdalena Lucjan
- A Grieving Woman Fernanda Allande
- A Revolutionary Anton Beliaev
- An Old Man Vladyslav Buyalskiy
- Amara Amara van der Elst
In brief
If you could change the world right now, what would you do? „Change the world!“ by Mart van Berckel and Pedro Beriso, showing at Semper Zwei, provides a great opportunity to reflect on this and a whole host of other questions. The production aims to transport the audience to the day after a revolution: in a room full of empty chairs (the remnants of barricades), four singers meet after devastating events to reflect, to mourn and to hope … and also to think of a way forward. But they are not alone. They are joined by spoken-word artist Amara van der Elst as a figure who is simultaneously both inside and outside events. According to Mart van Berckel: “Like a presenter or a storyteller, she is responsible for what happens on stage; she can press ‘play’ or ‘pause’, rewind or fast-forward. She’s the motor driving the performance.” She addresses the audience directly with challenging texts, constantly throwing up questions that demand an answer. Amara van der Elst partly drew these questions from the lyrics of the songs which, like a collage, were compiled for this production. The music from both the 19th and 20th centuries runs from Ludwig van Beethoven to Hanns Eisler. Alongside a heady sense of revolutionary tension, the production creates space for personal reflection. „Change the world!“ That’s not a challenge but rather an invitation to tackle difficult questions.
Storyline
A revolution has taken place. The day afterward, the smoke still hangs in the air. Outside of space and time, the young woman Amara reflects on questions of the future, responsibility, and commitment.
In a public space where the remains of the barricades are still strewn about, a group of different people meet, all of them having been changed in their own way by the revolutionary events: a revolutionary who lost his faith in the revolution during the fighting; an old man who has already seen too many revolutions; a woman who mourns the loss of a loved one; and a mother who wants to try to give her child a better future. Some musicians have managed to save their instruments, which they have brought to the room. Together, these people try to deal with their experiences through music and singing – which always tells a story. In doing so, the music and they themselves offer each other support.