»The dancers of the Dresden SemperOper Ballett, directed by Aaron S. Watkin, a former Forsythe dancer, did a good job of making the choreography’s difficulties look like a great deal of fun — in particular Anna Merkulova, who used her head and back in a way that showed the reach and sweep that Mr. Forsythe’s choreography needs without descending into mannerism or exaggeration.«
Roslyn Sulcas for the New York Times, 11/10/2010
Link to the whole article of the New York Times:
http://www.nytimes.com/2010/10/11/arts/dance/11five.html?_r=1
»Two examples of high-quality classical ballet followed: The Dresden Semperoper Ballett made a nice stab at William Forsythe's entertaining »Vertiginous Thrill of Exactitude,« and American Ballet Theatre sent rising young dancers Hee Seo and Jared Matthews to perform Frederick Ashton's short and sweet »Thais Pas de Deux«.«
Yocelyn Noveck for the The Canadian Press, 12/10/2010
