WEBVTT

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»The Woman without a Shadow« is a fairy tale. A fairy tale for adults. A bit like »The Magic Flute«.

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There is the simple couple, like Papageno and Papagena, and then there is the high couple, »Kaiserin« and »Kaiser«, like Tamino and Pamina.

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Every couple goes through a test in this piece.

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I would also really say that there are three couples in this piece: there is the »Kaiser« and the »Kaiserin«, the dyer and his wife, and there is the nurse and the »Kaiserin«.

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What I find interesting about the »Kaiserin« is the development she makes.

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She is the person who goes through the piece and learns, so to speak.

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What is empathy, what is love, what is jealousy, what is envy.

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At the end, when the »Kaiserin« separates from the nurse, she says that she wants to stay here.

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The nurse is a traveler between the worlds. This becomes very clear in the very first scene when she talks about her experiences in the human world.

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There's a wonderful passage in Act 3 where she says:

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»Swarming like eels. Screeching like eagles, fouling the earth!«

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From a current political perspective, it can't be completely denied. What I find interesting about this piece is also this different view of what a human being is at this point in time.

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The play is often seen as an emancipation piece of women.

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We still ask ourselves this question every day, even though it is now 2024 and not 1919, when the play came out.

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I find it very interesting that two men, again, Richard Strauss and Hugo von Hofmannsthal, created a kind of »women’s opera« together.

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The play is so rich that when you put it on stage, you have to make a decision. Do I want to focus on relationships, do I want to focus on the question: What is being human? What does it mean to be human?

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I think the message of the piece is still that as a person you are what you make of yourself and also in relationships.

