The ballet »Carmen« by Swedish star choreographer Johan Inger fits seamlessly into the tradition of the great Carmen interpretations ranging from John Cranko and Mats Ek to Carlos Acosta. From a child’s perspective, he tells of the tragic entanglement between Carmen, Don José and Escamillo, of their passion, jealousy, revenge and hatred in gripping images of great clarity. »Carmen« was created in 2015 for the Compañía Nacional de Danza in Madrid to music by Bizet, Shchedrin and Álvares. In 2016, the choreographer received the Prix Benois de la Danse – the Oscar of the ballet world – in Moscow for his first full-length ballet.
A young boy is chasing after his ball whilst playing and encounters his destiny. The story begins. In front of the gates of a tobacco factory, where young men are passing the time, José is on guard. The workers appear and in the middle of them is Carmen: confident, defiant and desired by men, she masters the art of seduction. José doesn’t know what’s happening when Carmen throws him, of all people, a flower as she is leaving. She has chosen him! When José realises that the boy is watching him daydream, he leaves. In the factory, the atmosphere of aggression and competition amongst the women is heating up. An argument breaks out. Carmen attacks a woman in the face with a knife. José leads Carmen away but she has captivated him and he lets her go. José is degraded and humiliated by Zúñiga. From the background, José watches how a party is held in honour of the toreador at which Carmen also appears. Carmen’s desire in erotic playfulness with Zúñiga and the toreador is clear to see yet afterwards she still thanks José. Lightness and passion, temptation and desire merge. After the love play, it is over for José. Was it a dream? That she is now leaving him again fills him with despair and when he later encounters Carmen and Zúñiga »in flagranti« he shoots his rival in front of Carmen’s eyes – and the boy.
José flees …
… pursued by the shadows of his guilt, José plunges into an abyss of darkness.
Once again, José encounters Carmen – yet he cannot keep hold of her, is plagued by the shadows and must watch how she becomes friendly with the toreador. His jealously grows immeasurably. In between: a dream of deceptive happiness in which Carmen, José and the young boy evoke an idyll which has long disappeared. The shadows grow, the toreador dances a final pas de deux with Carmen and vanishes. José stabs Carmen.
A broken lover and a conflicted child remain.